Episode notes
In Sarah Ensor’s essay “Spinster Ecology: Rachel Carson, Sarah Orne Jewett, and Nonreproductive Futurity” (2012), the avuncular figure of the spinster figures a model of “queer ecocritical practice” and a “model of care that allows distance, indirection, and aloofness to persist and that transforms the vexed concept of ‘enoughness’ from a chastening limitation to a quietly affirmative state.” This talk explores how models of care involving a critical (or queer ecocritical) distance can provide a different frame of thinking for art and design, based in the idea of life economies and a life drive. Examples range from the 1950s new town of Harlow in Essex to Jacques Tati’s influential film Mon Oncle. The figures of the body and the other appear in this talk in ways that complement Prinz Gholam’s creative practice.
Tim Waterman ...