Ian Faith offers a thoughtful and appreciative review of The Screwtape Letters on stage, presented by Max McLean and Fellowship for Performing Arts at the Herberger Theatre in Phoenix. Approaching the production with both deep familiarity and cautious expectation as a longtime student of C. S. Lewis, Faith finds that the adaptation successfully honors Lewis’s original intent. Rather than leaning into satire or comedy, the play focuses on spiritual warfare, subtle temptation, and moral reflection, using irony and inversion exactly as Lewis intended. The result is a contemplative experience that provokes self-examination rather than shock or humor.

The production itself is praised for its discipline, design, and execution. With only two actors on stage for a continuous 90 minutes, Gregory Allen Jackson and Anna Reichert delive ...