A Fashion Law Dinner Party
with Fashion by Felicia
Welcome to A Fashion Law Dinner Party! With Felicia Caponigri, an attorney by training and an academic by calling, be a guest alongside fashion archivists, curators, attorneys representing brands and lawyers otherwise practicing IP law and more areas of fashion law, in house counsels and more guests. We’ll discuss cutting edge topics in the fash ...
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For fashion lawyers and scholars, the Met Gala is a dream hypothetical. What parts of a Met Gala dress might be conceptually separable under copyright law? What additions within reproductions inspired by the archives are original? How might we balance the preservation of antique fabric with a desire to upcycle that fabric into a new gown? These are just some of the issues Felicia Caponigri explores during this dinner party with her colleague Lucrezia Palandri, a fashion law scholar based between Florence and Como, Italy.
Securing a position in-house, especially with a luxury conglomerate, is often at the top of aspiring fashion lawyers’ career goals. But how can you move in-house and, once you arrive at this dream destination, what do your day-to-day responsibilities look like? In this episode, we speak to Viola Bardi, Legal Manager at Kering Eyewear, about her career in Milan and explore how she incorporates heritage and even the concept of iconic into her legal practice in house.
Partnering with culture and supporting heritage doesn’t just benefit a brand’s reputation. Partnerships between fashion and cultural institutions can also benefit a fashion brand’s bottom line. Over dessert, we speak with Giuseppe Abatista, an Italian attorney, tax specialist, and Ferragamo’s own Tax Consultant, about his experience negotiating agreements for the restoration of cultural properties and more between cultural institutions in Florence and the Ferragamo brand.
What makes a great partnership between a fashion brand and a cultural institution? In this episode we explore the legal and ethical standards and rules that frame presentations of fashion as part of our wider culture. The presentation of fashion’s cultural significance often happens in a museum, but it can also happen in a public space, like a piazza, where so many fashion shows are staged, or even on a red carpet. During the appetizer and main courses of our dinner party, we speak to Dr. Valerie Steele, the Director of the Museum at the Fashion Institute of Technology in New York City, for her historical perspective on fashion exhibitions. We also explore how museums and fashion brands may have different objectives and purposes. From New York, we travel to the Midwest, to delve into fashion conservation with Sarah Scaturro, the Eric and Jane Nord Chief Conservator at the Cleveland Museum of Art. We speak about the importance of managing the change that happens to fashion garments over time, and about the cause célèbre of Kim Kardashian wearing Marilyn Monroe’s dress, in the wider context of how members of the fashion industry can support fashion heritage.
As fashion accessories go digital, one of the main issues is how to categorize these born digital objects into traditional IP boxes like trademark and copyright. Things can get even more complicated when artists and fashion brands collide in our blurred universe of commerce and culture. What is a trademark use anyway? Can an artist use a trademark in their work or can’t they? Join me for our coffee and dessert course as we speak to Mark McKenna, Vice Dean of Faculty & Intellectual Life Professor of Law and Faculty Co-Director of the UCLA Institute for Technology, Law & Policy at UCLA Law and a co-founder of Lex Lumina PLLC, about the scope of source in trademark and more boundaries between trademarks and expressions. We end the episode with a future-looking perspective from Europe, when Elena Varese, a Partner at DLA Piper in Milan, shares insights on AI’s use in fashion and more holistic approaches to digital fashion, including in Italian law.