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The entertainment world is awash with dystopias these days, probably because the real world is as well. Crack open a book or sit down for a movie and there’s a non-zero chance you’ll be treated to a gray, sad main character inhabiting a gray, sad world meant to reflect some potentially harmful aspect of our gray, sad lives exaggerated to enhance danger but not so much that the similarities to present day life are unrecognizable. Entering such a saturated market means you’re bound to get at least a little splash of someone else’s work on your own, and while some try to keep overlap as limited as possible, others sink in and treat the word “derivative” like a gold star pinned to their chest. Hence Black Mirror, an ongoing British science-fiction anthology show with Cyberpunk aesthetics chronicling different characters as they move through the ... 
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