In this episode, we dive deep into The Last Broadcast (1998) — one of the most overlooked but groundbreaking films in found footage horror history. Before The Blair Witch Project shocked the world,

The Last Broadcast was already rewriting the rules of independent horror filmmaking, digital cinematography, and online storytelling. We explore how Stefan Avalos and Lance Weiler created a true DIY horror experiment, shot on consumer-grade tech, edited on a home computer, and eventually released as the first feature film to be distributed digitally to cinemas. From its glitch-soaked imagery to its proto-livestream narrative and use of early IRC chat culture, this movie predicted the entire future of internet-based horror — YouTube investigations, ARGs, analogue horror, livestream-gone-wrong stories, and digital folklore.

In this episode, we break down:

The film’s innovative use of digital cameras and desktop editing
Its place in found footage history before Blair Witch
How The Last Broadcast foresaw live streaming, online communities, and digital myths
What it meant for indie filmmakers in the late 90s
The alleged comparisons to The Blair Witch Project — and what the filmmakers really said
Why this movie still matters, and why horror fans should rediscover it today

Whether you're obsessed with found footage, analogue horror, 90s digital weirdness, or the hidden corners of horror history, this deep dive uncovers why The Last Broadcast deserves far more recognition than it gets. If you enjoy horror commentary, film history, and long-form breakdowns of cult classics, hit like, subscribe, and join the conversation below!

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