Notas del episodio
In this week’s episode, Sam and Alex look at Arthur Miller’s adaptation of Fania Fénelon’s memoir of her time in the women’s orchestra of Auschwitz.
The pair talk about the history of the orchestras at Auschwitz, including the relative ‘privilege’ of the musicians; the life and experiences of Fénelon, a French singer and pianist; the moral challenges facing the orchestra members; the representation of women’s experiences; and the complex, overarching theme of perpetrators as ‘humans’ rather than ‘monsters.’
To skip updates and recommendations and go straight into the episode, listen from 15.15.
Hosts: Samantha Mitschke & Alexandra Gellner
Executive Producer: Samantha Mitschke
Producer / Editor: Alexandra Gellner
Music: “
Palabras clave
HolocausttheatreNazischildrenAuschwitzAuschwitz-BirkenauadaptationPolandJewsperformanceFania FénelonAlma RoséOrchestraMusicLGBTLGBTQIA+memoirAnita Lasker-WallfischMaria MandlMaria MandelThe SSArthur MillerWomen's orchestraMusic and the Holocaust