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Punk Rock Creatives

Punk Rock Creatives

by Marie Repulsive

Season 2

Rita Lynch

In this episode of Punk Rock Creatives, Marie chats with singer, songwriter, activist and creative force Rita Lynch. With over five decades of writing, performing and living punk rock, Rita reflects on her journey through music, creativity and activism, sharing stories and insights gathered along the way. The conversation explores the role of women in punk, the opportunities available to women in the scene today, and the importance of continuing to create space for diverse voices. Rita also discusses her involvement with Black Triangle Films, as well as her experiences as a SEND mum and her connection to the SEND community. Alongside discussions about songwriting, performance and maintaining creativity over the years, Rita talks about using music to raise awareness and support causes close to her heart, including fundraising efforts for Gaza and other humanitarian campaigns.

Inferno Class Recordings (Trystan O'Connell)

This week, Marie talks to Trystan from Inferno Class Recording Studio — London’s newest and quirkiest recording studio. The episode was recorded at Trystan’s studio, where the conversation flowed with plenty of laughter and jokes, helped by the fact that Marie and Trystan were in Lost Cherrees together for nearly 10 years. Beyond the banter, Trystan is a highly skilled musician and sound engineer who also plays guitar for Active Slaughter and Liberty. He recently recorded the latest album by Eastfield and is already building an impressive portfolio of bands and artists at Inferno Class Recording Studio. An all-round lovely guy and a great guest. You can book sessions here by messaging Trystan at: Trys O'Connell <trys@infernoclass-recording.co.uk>

Gwen Ever (A Low Life in High Heels)

Gwen Ever from Deal Radio’s A Low Life in High Heels talks to Marie about Holly Woodlawn’s endorsement of the use of the name, the importance of getting new music out into the community, and a memorable moment featuring Steve Ignorant wearing a beehive and then dedicating a cover of David Bowie’s Rebel Rebel to Gwen during an interview. Gwen reflects on coming of age at the dawn of punk, being a huge fan of Rubella Ballet and Poison Girls, and playing a Jayne County-endorsed cover version of one of their songs. The conversation also touches on advice from Bobby Davro, surviving a life-changing head injury, catching pneumonia in a field whilst filming, and even getting stuck down a well. Gwen shares a massive love and admiration for Andy Warhol and the lasting influence of underground art, punk culture, and creative self-expression.

Ruth & Hannah Punktuation Magazine

TRIGGER WARNING : Sexual violence and domestic violence discussed In this episode Marie talks with Ruth and Hannah from Punkuation Magazine. Ruth is the editor-in-chief, while Hannah joins as music writer. Together, they dive into the current punk bands they’re loving right now, including Rage DC, Tape It Shut, and Not The Face. The conversation also covers their appearance on the Griff Griffiths Radio Show and the excitement surrounding the recent Rage DC album launch. As the episode develops, the discussion takes a more serious and important turn, touching on issues of sexual violence and domestic abuse, alongside a wider conversation about women finding and using their voice within the punk scene. Marie, Ruth, and Hannah also discuss how Loud Women continues to champion and support female-led bands within the alternative music community.

Sid Truelove (Rubella Ballet, Epileptics, Flux of Pink Indians)

In this episode we sit down with Sid Truelove from Rubella Ballet for a wide-ranging conversation exploring decades of punk rock creativity, underground culture, and DIY survival. We talk about the legendary mystery of the second missing floating tom, memories of playing with Flux of Pink Indians during the height of the anarcho-punk movement, and the raw energy that shaped the UK underground scene. Sid also discusses working on Zillah Minx’s documentary about women in punk, sharing stories about editing the film, revisiting punk history through archive footage, and the importance of documenting women’s contributions to the scene. The conversation also dives into memories from Triad Studios, songwriting, drum programming, balancing old-school punk attitude with modern technology, and the creative process behind keeping punk music evolving. We also talk about the new Rubella Ballet drummer Kath Edmonds, the future of the band, and what continues to keep the punk spirit alive. A brilliant episode packed with stories, humour, music history, creative inspiration, and pure DIY punk energy.

Peter Coyne (Godfathers)

Peter Coyne of The Godfathers speaks with a clear, stripped-back philosophy rooted in authenticity and directness. He views artwork as an extension of the music—bold, unpretentious, and reflective of the band’s raw energy rather than something overly stylised. Early experiences in The Sid Presley Experience helped shape his commitment to a raw, high-energy sound and an uncompromising approach to making music. He also draws heavily on current affairs and social observation, using real-world issues as a catalyst for lyrical ideas, something reflected in songs like Birth, School, Work, Death. The formation of the band in the 1980s with his brother came from a desire to return to basics—guitar-driven rock with a focus on live performance, attitude, and simplicity over polish. Alongside this, Coyne expresses strong admiration for female vocalists like Dusty Springfield, particularly their emotional delivery and phrasing, which informs his own sense of expression within a rock context. Overall, his outlook centres on keeping music honest, immediate, and connected to real life rather than overproduced or detached.

Hippies Now Wear Black (Rich Cross)

In this episode, we’re joined by writer and anarcho-punk historian Rich Cross to dig into radical music culture, DIY ethics, and the legacy of anarchist art. We talk Vi Subversa and the Poison Girls, exploring her role in shaping anarcho-punk, the fusion of feminism and music in her work, and why her voice still hits today. We also get into AK Press—its roots, its mission, and the ongoing challenge of keeping publishing truly DIY in a corporate world. Plus, we break down the “Bullshit Detector” compilations and their role in amplifying new voices, embodying DIY culture, and inspiring generations of underground artists. It’s a conversation about anarcho-punk’s lasting impact, DIY as both practice and politics, and the importance of keeping radical histories and spaces alive.

Ryan Hanratty

Ryan hangs out with Marie for a proper all-over-the-place chat—in the best way. They get into songwriting and how different styles come together, then somehow end up talking about the US healthcare system and what it’s like dealing with that as a creative. Classic Punk Rock Creatives podcast detour. If you’re into the New York scene, Ryan shares some solid tips on where to play as a solo artist and what it’s really like to gig there. There’s also a fun debate on where punk actually started—UK or USA, London or New York. They swap stories about on-stage incidents and talk through some iconic punk/alternative venues, and touch on the legendary Chelsea Hotel. Oh—and Ryan’s dog gets a mention too.

Keith Woodhouse

Step into the world of Keith Woodhouse from Radio Woking—and the show that doesn’t mind getting it a bit wrong. This episode leans into Wot Radio—Keith’s take on doing things his own way. Not polished, not overproduced, and definitely not trying to sound like everyone else. From growing up in London’s East End and seeing the Sex Pistols, Bob Marley and Toots and the Maytals live, to standing on stages as compere at grassroots festivals, Keith’s perspective is built on real experience—not hindsight. We get into that contrast: the big, polished feel of GuilFest versus the DIY, no-frills energy of Undercover Festival—which famously grew out of a small tent at GuilFest before becoming its own thing . Keith’s been right in the middle of that world too, regularly hosting and introducing bands at Undercover over the years . There’s a bit of John Peel in the DNA—especially with in-house sessions and giving current bands a platform—but without the mythology. Just turning up, putting bands in a room, and seeing what happens. It’s about radio that isn’t afraid to be rough round the edges. Missing cues, unexpected moments, great music, odd choices—that balance of chaos and instinct. Getting it wrong… but in the right way.

Joanne Majauskis (Domestic Abuse Support Services)

Trigger Warning Domestic Abuse/Violence discussed in this episode. Jo Majauskis is an independent Trainer and consultant who has worked in the field of Domestic Violence/abuse for over 15 years. Her previous roles have included frontline support work and Senior Management positions for Domestic Abuse Support Services. Before becoming independent, Jo was Director of practice and Development for a service covering Essex and Hertfordshire. In her current role, Jo chairs Domestic Homicide Reviews and delivers training on Domestic and Sexual Violence, Stalking and Trauma Informed Practice. Jo is a qualified Independent Domestic Violence Advocate (IDVA), a Sexual Violence Advocate (ISVA) and an Independent Stalking Advocacy Caseworker (ISAC). If you identify with any of the themes in this episode please contact domestic abuse helplines below is the UK helpline, but please find a charity local to you that can help: UK Refuge: 0808 2000 247

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