Tarik Talk

Tarik Talk

by Tarik Mendes
Season 4

Perdita Sinclair (ESKFF at Mana Contemporary) (Season 4, Episode 2)

ARTIST STATEMENTI am interested in capturing a sense of shifting time and space in my work. I want it to not quite inhabit the known world but be more like a dreaming space where meaningful and whimsical fragments of the day happen to have washed up. In this space, elements melt into one another - feelings into ice-cream, sea markers into volcanoes, London Underground tiles into lochs, colourful plastic wrappers, and road signs into a mill-pond-like sea.I keep returning to waves in my work. Not just sea waves but waves as a metaphor for building tension. I see these building tensions everywhere, in the state of the world, in people around me, in my own head, and in the mundanity of day-to-day life. Thinking about a rising tide in a literal and metaphorical sense. I like to imagine what is going on under the surface of the paintings, in the same way that sometimes the most interesting things in life are what is left unsaid.Most of my practice is painting, as the joy and liquidity of this medium allow me to explore my imagined world whilst creating it. Sometimes, however, a work lands more solidly in my brain that demands to be sculpted or videoed. Like my diverse inspirations, there is no hierarchy of mediums here, but more a utilising of different senses to explore my thought process.

Louise Deininger (ESKFF at Mana Contemporary) (Season 4, Episode 1)

As an African conceptual artist, author and life coach, my artwork focuses on consciousness, spiritual science, human, self and personal development, self-leadership, critical thinking and identity: including other multidisciplinary subjects. My work explores how we humans relate to the world around us, our connection to the universe, and what interventions we can take in our environment in order to live in harmony, within and without. Presenting subjects as variable as the effects of armed conflict, and self-leadership my work renders familiar visual signs, and I use different materials through the media of painting in a stylized form, FOTO collage, sculpting, film and performance. I also use installations that are conceptually built using different materials and forms. As a result, my work which is mainly experiential and research based, new ideas arise, which lead to the next production of art work.
Season 3

Jay Golding (ESKFF at Mana Contemporary) (Season 3, Episode 6)

Jay Golding is a Caribbean-American Autochthon mixed-media artist of Maroon descent. Golding’s practice explores themes related to migration, ancient mythology, and his personal life, often engaging the relationship between his Caribbean upbringing and African/tribal influence. The subjects in his work range from depictions of masked figures and fictional characters to friends and relatives, typically accompanied by the use of a vibrant palette and emerging textures caused by paint mediums, recycled materials such as tissue paper, and other found elements. Jay received his BFA in Studio Art from Kean University and has exhibited his work in various exhibitions in the greater NY/NJ Metropolitan area, including Akwaaba Gallery, The Monmouth Museum, and The Noyes Museum of Stockton University. Jay has also assisted and created public art in the form of murals in the United States, Ethiopia, and Mexico.

Leonard Gabriel (ESKFF at Mana Contemporary) (Season 3, Episode 5)

Leonard is a figurative artist whose focus is emotion expressed through the body language of the subject. He finds it interesting, fascinating in fact that the viewer can empathize emotional experience simply by observing body language. This emotive body language maybe the result of the interaction of the subjects or possibly a shared experience where each subject individually expresses emotion in their own particular way. Even in single subject portraiture he finds subjects express emotion through their posture. While creating, Leonard experiences emotion through expressive mark making which he finds has the power to evoke emotion. In his art Leonard explores this idea of expressed emotion through body language and/or mark making that has the power to create empathy in the viewer. Leonard wants the viewer to think; I know what that person is feeling, or I’ve been there before. Or even wonder, What is that person thinking? Leonard’s intent is to create an emotional experience in the viewer.

Gabrielle Mar (Season 3, Episode 4)

My imaginative universe of art is inspired by nature, music and eastern spiritual concepts. The art forms of abstract expression I create in my paintings are unique and alive, full of bursting and positive energy. I try to capture the moments from memories and emotions for my creation. I hope my abstract paintings can invoke dialogues and stretch the imagination. My intention is to actively create positivity and transcend beyond ordinary life in an upright and bright manner.My art is aimed to condense the elements in life and essence of the universe onto canvas. Dripping, dropping, swiping are usually the beginning of my practice and I let the color mix of fluid acrylic and flashe paint move around organically with the manipulation of brush strokes. I especially apply brush techniques I have learned from calligraphy to create the dynamic feelings in my painting. My practice is very intuitive, liberating, and personal, with the intention to create a play of colors and forms that invite open discussion and interpretation. It's also a way of expressing my gratitude for every moment, living and breathing, as well as my love and respect for the world as it hopefully recovers from covid.

Yiding Yang (Season 3, Episode 3)

Yiding Yang (he/him), a private collector based in Hoboken, NJ, predicts a paradigm shift with the growing role of artificial intelligence in creative fields, both democratizing art commissions and prioritizing human involvement.Yang's journey as a collector began with frequent visits to local and international art fairs, places where he discovered a vibrant array of artists and a diversity of expression that deeply resonated with him. Driven by the desire to evoke the essence of the 'inner child,' Yang's collection is playful and nostalgic.Yang splits his time as a lab assistant at Stevens Institute of Technology and a receptionist at China Institute, a cultural and educational organization that aims to advance a deeper understanding of China. His work at the institute not only enriches his understanding of Chinese culture and its influence on art, but it also reinforces his appreciation for diversity and the importance of cultural representation within the art world.

Alexander Yulish (Mana Contemporary) (Season 3, Episode 2)

Alexander Yulish (b. 1975, New York) works within an unfolding narrative of improvisation and abstraction in paintings that convey the inner psychology of both human and external forms. Working predominantly in large scale formats, Yulish utilizes a direct, impasto brush, building irregular shapes layer by layer into gestural, complex color arrangements in order to reveal abstract figurative forms. The movement of these gestures throughout each painting is marked simultaneously by harmony, undulation and discord, all playing out across the canvas with a distinct lyrical impulse unifying the composition of his work. The scale of each works allows him to communicate an inner dialogue with tactful urgency, expressing the depths and complexities of the human psyche.Producing within an immediate and expressive format, Yulish’s studio practice is borne of varying applications of acrylic on canvas as part of an elaborative process. Swirls of lines and broader shapes are established, conjoined, integrated and sometimes lost within the ceaseless creation of new forms and expressions. This tension between success, failure and the precariousness of sustaining gestural rhythm are active elements that define his creative process as well as the nature of his depicted subjects.The junction of his improvisational process within the context of figurative painting reveals the subjective world of both the artist and his subject. In his interrogation of human forms through abstraction, the reality of the body and the self succumb to notions of human presence, unwinding definite shape and form into a familiar, yet implacable realm. It is here where he explores an array of altered mind states ranging from bestial physicality, limitless elation and humanity in all of its elements painted with a distinct pathos originating from his unique grasp of improvisation and abstraction. Throughout all of his work, Yulish adeptly renders moments of interior subjectivity into a brilliant and distinct external presence.Alexander Yulish studied fine art at Connecticut College and has been featured in numerous solo shows of work, most recently his 2015 solo show Immovable Thoughts at ACE Gallery, Los Angeles. His work is included in the collection of Museo Jumex, Mexico City.

Tris McCall (Season 3, Episode 1)

Tris McCall is a music journalist, novelist, and rock musician from Hudson County, New Jersey, described by The New York Times as "the plugged-in, Internet-era muse of Jersey City." In 2010, he became the music critic for the Newark Star-Ledger. As of 2017, McCall has released four solo albums; songs intended for two future albums are previewed alongside his short stories in a web project called McCall's Almanac.Tris McCall has written about art, architecture, performance, politics, and public culture for many publications, including the Newark Star-Ledger, the Bergen Record, Jersey Beat, the Jersey City Reporter, the Jersey Journal, the Jersey City Independent, and New Jersey dot com.Discography1998 Straw Man Special1999 If One of These Bottles Should Happen to Fall: Jersey Songs by Tris McCall2003 Shootout at the Sugar Factory 2006 I'm Assuming You're All in Bands: Tris McCall in Brooklyn 2009 Let the Night FallMcCall's first novel, The Trespassers, was written in 2006 and published in 2012.
Season 2

Josh Urso (ART150) (Season 2, Episode 6)

Josh Urso is a contemporary sculptor in Jersey City, NJ working in concrete, stone, and various pigments. He studied engineering and product design at Carnegie Mellon University and owned and operated Josh Urso Design, a furniture and lighting design business for over 20 years before pursuing sculpture full time. His background in producing functional objects and his familiarity with manufacturing processes instilled in him a love of materials and a drive to explore purely sculptural forms. His work is inspired by the natural world, the inherent qualities of materials, and his desire to create monumental forms. He has always been intrigued with breaking the geometric form with the fluid line. Josh’s sculptures are suitable for indoor as well as outdoor installations such as sculpture gardens, landscape elements, and public spaces. They can be scaled up with site-specific dimensions in mind. Commissions are welcomed. Statement Nature and specifically the strata of geology inspires my work. I’m attempting to capture and convey the beauty of rock and soil through the use of concrete, stone, and pigment. My inspiration comes not only from the macro of canyons and riverbeds but also the micro of dried mud and aggregate. I hope to preserve my personal memory of encounters with these elements, even as erosion, climate change, and other manmade and natural forces erase them. I have also had a love of materials since college and a desire to explore purely sculptural forms. These concrete pieces represent a fascination with process and the immediacy of cast concrete, but also a wanting to create monumental forms out of commonplace materials. In addition to the natural world, I draw inspiration and techniques from both the art world and the more humble building trades – fabricating precise molds, blending concrete and aggregate mixtures to effect surface texture and weight, sculpting the work with the powerful blows of a hammer and chisel, and finishing the pieces with pigments to highlight elements of the design. I have always enjoyed bisecting the geometric form with the fluidity of line. This can be seen through cracked concrete and stone as well as through chisel.

Kim Bricker (ART150) (Season 2, Episode 5)

Kim Bricker is a contemporary printmaking artist currently living in Jersey City, NJ. She received a BA in Fine Arts with a concentration in 2D Media from Carnegie Mellon University in 2002 and an MA in Museum Studies from George Washington University in 2004. She has worked in furniture design, graphic design, and even jewelry design, always seeking out opportunities to be creative. Travel to the American Southwest, Colorado, the Nevada desert, Wyoming, and Montana is her current muse, and she finds herself drawing, painting, and printmaking with a renewed interest in landscapes and representing the story of a place in a contemporary way. She currently creates at a studio she shares with her husband at 150 Bay Street in downtown Jersey City. Statement: My focus is a contemporary portrayal of the landscape, using layered printmaking techniques to explore the color, light, and form that characterize specific places. I draw inspiration from personal travels, photographs, and the “Imagined Landscapes” I conjure in my own mind, created from my personal interpretation of what makes places unique. I don’t shy away from celebrating the beauty of the landscape, exploring its rugged nature, or gazing a voyeuristic eye on iconic landscapes such as those found in the American National Parks. I believe landscapes tell complex stories to any who are patient enough to listen.
32 of 34