Shawn Nelson Acting - Your Wide Open Window to the World of Film and Television Acting

Shawn Nelson Acting - Your Wide Open Window to the World of Film and Television Acting

by Shawn Clement Nelson
Season 1

AT FIRST GLANCE - Understanding the material you have been given

In this episode we will begin to look at HOW we APPROACH MATERIAL. We will see that this is a PHILOSOPHICAL process, We are just getting started,,,

Oh, yes! Sock Puppets!

In this episode, I'll take your through a serious series of exercises that will actually change how you look at acting.

Spontaneity!

What SPONTANEITY is...and what it is not...and other big secrets!

22-44-90 Hike!

We have very specific artistic goals that are placed before us when we audition and perform, goals that if attained will engage an audience in a profound way.

and the answer is.....AUTHENTICITY!

The only thing that is castable is YOU. The question is: who are YOU?!

They are going to cast YOU. Or they are NOT going to cast YOU.

Of course, the acting has to be 'good'. BUT - Producers and Directors don't cast 'acting'. They cast ACTORS!

Our first glimpse into Dramatic Theory

So, how do we think about the 'script'? How do we think about how to 'act'? There are absolute laws of Dramatic Theory. Let's start to discuss them!

YOU ARE THE HOST IN YOUR AUDITION, NOT THE GUEST!

In this post, we conclude discussing our new vision of "where we are" when we audition or interview, and why it makes a big difference in how we approach the relationship with casting and production.

The Casting Office is NOT what you think. It's not even what the Casting Director thinks...

Okay, now we're going to get into what might seem, at first, like a hall of mirrors. But it is actually a tunnel, with a lot of light at the end of it. It will feel like your brain is being readjusted, but you'll see that it's actually what is the reality. Enjoy!

What is the actual REALITY of the audition experience, versus what we THINK it is.

We are going to take a DEEP LOOK at the true psychology of the audition experience.
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