Immersive, Not Gimmicky: Gunshots...

Immersive, Not Gimmicky: Gunshots, Ghosts and Kylie Minogue in 360°

Pods Like Us by Martin ”Marv” Quibell
S11 · E12
Aug 13, 2026
01:13:53

Episode notes

Risk, Rears, and Reverb

Marv reunites with two old friends from the Nottinghamshire music scene — Dolby Atmos mixing engineer Kurt Martinez and music educator/dementia-charity worker Rob Huskinson — for a wide-ranging chat about immersive audio, career risk-taking, and what it actually means to teach music in 2026.

Kurt walks through how he backed into podcast/audio-drama mixing via Audible's early Atmos launch, why documentaries and scripted drama get treated completely differently in the mix (stage-setting vs. free-roaming immersion), and the gunshot-and-bullet-trajectory example that shows just how precisely spatial audio storytelling can get. He also talks through mixing Kylie Minogue's latest album in Atmos — commuting with it on AirPods Max, checking it on a Sonos speaker while doing housework, and revisiting it recently on 7.1.4 headphones to see how it's held up.

Rob brings the conversation into music education, talking about designing a curriculum that starts from what's relevant to students now rather than working backwards from music history, and his work with Open Door, a Nottinghamshire dementia day service, where he helps organise carer support events (money management, physiotherapy, nutrition) alongside the day-to-day group sessions. There's also a candid stretch on ADHD, time management, and the different but complementary ways Kurt and Rob each work in a studio.

The three of them close on the value of informal networking ("smooshy events"), the risks each of them took to build a freelance/portfolio career, and what's next for each — including Season 2 of I Am Not Nicholas, out now.

In this episode:

  • How Kurt got into Dolby Atmos, from a Guinness cinema ad to mixing I Am Not Nicholas for BBC/Audible
  • The difference between mixing music, scripted audio drama, and documentary in Atmos
  • Mixing Kylie Minogue's latest album in immersive audio
  • Building a curriculum around student relevance vs. music history
  • Open Door — a Nottinghamshire dementia day service, and Rob's work with carers
  • ADHD, time management, and studio workflow
  • Career risk-taking, freelancing, and the value of informal networking
  • What's next: I Am Not Nicholas S2, new Alfie Duke and Meek singles, The Script's new album

Guests:

  • Kurt Martinez — Dolby Atmos mixing engineer (Audible, BBC, I Am Not Nicholas, Kylie Minogue) — find him on LinkedIn and Instagram
  • Rob Huskinson — music lecturer and grants/events lead for Open Door dementia day service — find him on LinkedIn

Keywords

podcasting
audio drama
mental health
elderly care
tech
music
Dolby Atmos
Sound Mixing

Where this episode is made