Second part of Dead Door Unit interview! This time focus shifts more on talk about noise culture as a whole. Talks revolve around writing noise and noise reviews, deep listening and experiencing noise music in that regard. Interesting topic that arises is, what defines a classic, what are aspects of a timeless release? What are the motivations or intentions of pure noise? Also a conversation about the "language of noise", what is t even is? Who defined what or who are the most influential ones? How does surroundings of an individual influence their noise? Mikko A conducting the interview with Jazzhand.