Bits n Scripts
Season 1
It's Called "The Mummy." So Why Isn't It a Mummy Movie?
FANS SUCK: How Fandoms Ruin The Franchises They Claim to Love
by Derek Barahona
Lee Cronin's The Mummy just dropped and the internet has already made up its mind. But has anyone actually stopped to ask what kind of film this really is? Because here's the thing — strip away the bandages, the scarabs, and the title on the poster, and what you're actually watching is a grief-soaked family possession horror film that has more in common with The Exorcist and Evil Dead Rise than anything Boris Karloff ever did. And that's not necessarily a bad thing. But it is a conversation worth having. In the debut episode of Bits n Scripts, we break down why Lee Cronin's The Mummy is one of the most misunderstood horror films of 2026 — not because it's bad, but because it was never really a Mummy movie to begin with. We talk about what the Mummy genre actually requires, where Cronin's fingerprints from Evil Dead Rise show up all over this film, what the movie gets genuinely right, and why the title alone may have doomed its reception before a single ticket was sold. This is the conversation the algorithm doesn't want you to have. Welcome to Bits n Scripts — where media literacy is still alive and well. In this episode: What actually makes a Mummy movie a Mummy movie Why this film is really a possession horror story in disguise The Evil Dead Rise DNA running through every frame What Cronin got genuinely right — and there's more than you'd think Why the title is the film's biggest enemy What media literacy has to do with all of it
Fans are supposed to love the things they love. So when did fandom become a harassment campaign? In Episode 3 of Bits n Scripts, we go deep on one of the most important and least honest conversations in entertainment culture: toxic fandom. Not legitimate criticism we're not talking about that. We're talking about the organized, coordinated, monetized machine that has spent the last decade using the language of fandom to push something much uglier into mainstream entertainment discourse. We start at the beginning. In 2014, GamerGate erupted as a coordinated harassment campaign targeting women in the gaming industry and researchers have since documented how it built the pipeline from gaming forums to far-right political radicalization. We trace the Breitbart connection, the Steve Bannon connection, and how a movement that started with a breakup post on a gaming forum helped shape a political era. Then we talk about the Trump Effect a documented psychological phenomenon that describes how inflammatory rhetoric from powerful figures gives people permission to say things they previously couldn't. And we connect it directly to what happened in entertainment: Leslie Jones driven off Twitter during Ghostbusters, Kelly Marie Tran deleting all her social media after The Last Jedi, the review bombing of Captain Marvel before it opened, the racist abuse of The Rings of Power cast, and the cancellation of The Acolyte after it became the most harassed Star Wars project in history despite breaking streaming records. We also talk about the business model. Because this isn't just angry fans it's an industry of content creators who get paid whether your favorite franchise succeeds or fails. And we talk about what all of it has actually cost: the stories that don't get told, the characters that get written smaller, the risks that don't get taken. No rage bait. No hot takes. Just the conversation that actually needs to happen.
What happens when faith becomes a business? That's the question at the center of HBO's The Righteous Gemstones and it's a question this episode answers in depth. On this episode of Bits n Scripts, we break down one of the most underrated comedy series of the last decade. The Righteous Gemstones ran four seasons on HBO from 2019 to 2025 and used the world of megachurch televangelism to expose something very real: the gap between what organized religion is supposed to be and what it becomes when wealth, ego, and power get into the room. We cover the Gemstone family compound where each family member lives in a separate mansion funded entirely by their congregation and connect it directly to real-life figures like Kenneth Copeland, whose net worth exceeds seven hundred million dollars and who famously said commercial flights are filled with demons, and Creflo Dollar, who asked his thirty-thousand-member congregation to fund a sixty-five million dollar private jet. The prosperity gospel is real. This show depicts it accurately. We also spend serious time on Baby Billy Freeman played by Walton Goggins in what may be the greatest comedic performance on television in the last ten years and what makes him so much more than just comic relief. And we bring the Bits n Scripts lens to what the show is really doing: using satire to hold a mirror up to the commercial machinery of religion without ever attacking faith itself.