Annie Collinge started her career part way through her degree at Brighton University at the tender age of seventeen, assisting esteemed portrait photographer Harry Borden (ep. 15 & 16). She went on to work extensively in the editorial world for publications such as Vice, Dazed, Pylot and The Guardian. She has simultaneously worked on various personal projects which tend to straddle the increasingly opaque divide between documentary and fine art practice. She has had various solo shows including at the Underwater Mermaid Theatre at the Ogden Museum of Southern Art in New Orleans for a project that we discuss in the interview. Her work has been included twice in the Taylor Wessing portrait prize show and she has twice won the Magenta Foundations Flash Forward award. Her most recent project is provisionally entitled Buzz of a Dead Bee. It’s a miniat ...