How does The Exorcist: Believer (2023) live up to William Friedkin’s 1973 classic? Could it be one of the worst films ever? Is it possible for big-budget horror films to capture the imagination of fans anymore? Do clergymen in dog collars just do it better? Peter Bradshaw, chief film critic at The Guardian, and Emilia Rolewicz discuss the important questions of the day.

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