Can you tell when an unsigned artist is destined for mainstream success?

In this episode of Tracks On Trial, we explore grassroots pop music, emerging artists, and the realities of building a music career without major label support.

Hosts Sam George, Amy Jo, and Andy analyse rising independent artists, debating whether underground talent can truly become the next generation of global pop stars.

Featuring discussions on Natalie Shay’s “The Edge,” alongside quickfire verdicts on Sanguijuelas del Guadiana, Chloé Bird, and Cameron Sanderson, this episode examines the difference between underground promise and genuine breakout potential.

We discuss:

• What separates unsigned artists from future global stars
• Songwriting vs production quality in modern pop music
• How independent  ...