The Creative Curmudgeon

The Creative Curmudgeon

di Kron Kronerson

Painting with Jay Smith aka Painted Jay

This discussion with Jay Smith is a crossover episode with his podcast "Brushwork." It's like how sitcoms in the 90s did crossover episodes. Listen to us discuss music, sign painting, horror, lucid dreams, astral projection, and much more! Some of Jay's work can be found here: https://app.signcrowd.com/company/painted-jay#

Making Comics with R.C. Auz

R.C. Auz îs the creative force behind the comic book series "Ratkids." In this episode, we discuss plot, panel layout, listening to your characters, drawing by hand vs digitally, self-promotion, staying childish, Silver Age comics, black metal, and much more. "Ratkids" can be found at ⁠https://tapas.io/series/RATKIDS/info.⁠

Writing with Mary Fashik

Mary Fashik is the founder of the Upgrade Accessibility movement, is the host of the podcast "The Politics of Disability," and is the author of the soon-to-be-released children's book "Adventurous Adeline and the Back-to-School Party." We had a nice conversation, during which we discuss disability rights, creative habits, writing for children, getting a book published, RuPaul's Drag Race, Marilyn Monroe, Billy Joel, and much more.

Music and Art with Neil Burke (Monoroid)

Let me tell you about Neil Burke. He has performed in such musical endeavors as Men's Recovery Project, Sinking Body, Born Against, Life's Blood, Landed, and many more. In addition to creating his own visual art, he has also created lots and lots of art for lots and lots of bands. It was an honor to talk to him and to discuss music equipment, overcoming stage fright, artistic influences, studio bathrooms, tubes, and a lot of other things. The song that plays after the intro theme is Sinking Body's "Who Are You." Throughout the podcast you can also hear the Men's Recovery Project songs "Man Urinating, Laughter" and "Undigested Food." Neil's work can be found at ⁠https://monoroid.com/.⁠

Photography by Edward Colver

Edward Colver's live band photos, studio portraits, and album covers have made him a legend of music photography. He's also a really nice guy, and I'm truly honored that he agreed to speak with me. We discussed his cameras of choice, how he got started, how he got the attention of the early punk community, the making of the album cover for Black Flag's Damaged, why he thinks you should never try to be trendy, and much more. His work can be found at ⁠https://edwardcolver.com/.

Music, Writing, and Art with Andrew Goldfarb

Andrew Goldfarb writes, draws, paints, and performs as a one-man band under the name The Slow Poisoner. In this episode, we discuss creating juggling, playing multiple instruments at once, time moving backwards, putting corpses on display, what happens when we die, how to stay weird, and much more. His work can be found at theslowpoisoner.com.

Making Art with Allison Cole

I am delighted to present to you my conversation with the Providence-based artist Allison Cole. Subjects include using art to process the world, developing one’s own style, cats, coffee, conveying positive messages while avoiding toxic positivity, and more.

Writing Horror with Gretchen Felker-Martin

Gretchen Felker-Martin wrote Manhunt, one of the greatest horror novels of all time. It was an honor to speak to her about writing, re-writing, why we like horror, how to read Ulysses, the importance of writing exactly what you want to write, and more.

Painting, Photography, and Wood Carving with Aaron Davis

This week, I was visited by the Seattle-based visual artist Aaron Davis. Subjects include watercolors, expired film, teaching yourself technique, parenting, ADHD, the myth of needing to be an asshole to be a good artist, and much more.

Making Music with Christian Hell from Hong Kong Fuck You

This week, I had the pleasure of sitting down with Christian Hell, the leader of the hardcore punk band Hong Kong Fuck You. We discussed vocal preservation, bass production, Mexico, ADHD, nu metal, sketch comedy, making music with your offspring, and much more.
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