This week on Shelf Criticism, we’re diving headfirst into Alexandre Aja’s 2010 remake of Piranha. It’s a film that combines blood-soaked carnage, 3-D spectacle, and a surprising amount of social commentary—if you know where to look.

Stephen explores how Piranha 3D critiques the exploitative culture of Girls Gone Wild while also indulging in the same excesses it mocks. From the over-the-top gore to its biting satire of voyeurism, this film is as paradoxical as it is entertaining. Along the way, we’ll dig into the film’s connections to Joe Dante’s 1978 original, its deliberate parody of Spring Break debauchery, and the deeper meanings lurking beneath the surface.

Plus, we’ll talk about propeller girl, Derrick Jones’s sleazy empire, and why Steven R. McQueen is cool by default—hint: it’s all i ...