pplpod Episode 129 follows Hugh Grant from Oxbridge ensembles and Merchant Ivory beginnings (Maurice, The Remains of the Day) to a 1990s rom-com crown—Four Weddings and a Funeral, Notting Hill, Bridget Jones’s Diary, Love Actually—where the stammer, the smile, and the side-eye became a global language. We trace the craft under the charm: clipped musicality, precision in throwaway lines, and a gift for making self-deprecation feel like strategy. Then the swivel—self-parody and steel in About a Boy, Music and Lyrics, the gloriously louche villainy of Paddington 2, Guy Ritchie’s The Gentlemen, and recent character pivots in A Very English Scandal, The Undoing, Glass Onion, and Wonka. Threaded through: tabloid storms turned in ...