Coming together: on the street, in the family, through culture

Art, ritual, and play are the most common motivations to come together in Brazil, and the drive to make beauty gives both meaning and purpose to estar juntos — being together. Think, for instance, of the immense investment of time, money, and energy required to prepare the performance of a samba school, a maracatu rural, or a Bumba-meu-boi: each one of these afro-Brazilian carnaval rituals demands huge groups of people who imagine and sew costumes, compose and rehearse new and relevant songs, and rehearse complex and difficult dances. Back rooms in homes in the favelas are filled with the cloth, feathers, and beads that dozens of women — and sometimes men — will transform into elaborate and beautiful fantasias. Sheds and barns in the sertão (backlands) become workshops where families — who may not have land or even a job — make extraordinary works of art.

Interviews in the podcast come from various movies made by Usina da Imaginação or Flor do Vento and directed by Rita Oenning da Silva and Kurt Shaw: Livremente (2025) and Gravidez e Parto (2018), A infância festiva (2024), Insurreição (2021), and The Rhythm of Liberation (2025)