I return to the early scenes of A New Hope to pick up on some early ideas about freedom. C-3PO and R2-D2 are opposite extremes: 3PO totally unfree, R2 remarkably free. The desert settings of Tatooine are the perfect place to set up questions of freedom because it echoes the setting of the Western, a genre preoccupied with freedom. I then summarize the evidence that the film can be seen as an autobiography of George Lucas and connect that with Lucas's preoccupation with freedom. Finally, I briefly explain my approach to film interpretation.

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