Starting in 2012, I began to study artistic events taking place in domestic spaces. From the repeated contact between hosts-artists and audience in domestic settings, inclusive social spaces emerge which I call homemade culture bubbles. In this text, I posit that they constitute a subcultural solution (Cohen, 1955) through which people interact and associate with those who share the same maladjustment, in this case, to the conventions of the art world. Apart from events organized within totalitarian regimes, adjustment is not a negative, but a readjustment. Through homemade culture events, host-artists send a simple message to the art world: art can be made differently (without promotion, production, distribution, resources, critique, profit). I came to study this phenomenon after a long period as a host-artist of artistic event ...