Edmund Clark is an award-winning artist interested in linking history, politics and representation. His work traces ideas of shared humanity, otherness and unseen experience through landscape, architecture and the documents, possessions and environments of subjects of political tension. The series Guantanamo: If The Light Goes Out, Letters to Omar and Control Order House, all of which have been published as books, engage with state censorship to explore the hidden experiences and spaces of control and incarceration in the ‘Global War on Terror’, as does Edmunds latest book, co-authored by counterterrorism investigator Crofton Black, Negative Publicity: Artefacts of Extraordinary Rendition. His other book, The Mountains of Majeed, reflects on the end of Operation Enduring Freedom in Afghanistan, the longest war in American history. Edmund’s work h ...