Notas del episodio
Artist Kota Ezawa reflects on the ideas behind work shown at the Whitney Biennial, SFMOMA, and other major institutions. We discuss his labor-intensive process, his use of reduced imagery and watercolor animation, and how he thinks about making art in a world saturated by images.
Palabras clave
Kot Ezawa, SFMOMA, Whitney Biennial, CCA, Nam June Paik, Art on O.J. Simpson Trial, Art Museum Exhibitions