Playback with Black Market Dub | Podcast en RSS.com

Playback with Black Market Dub

Playback with Black Market Dub

por Nate Bridges & Brandon Niznik

The Heptones – Night Food (feat. Devin Morrison & Joanne Highland)

The best Jamaican vocal trio? It's Week 5 of Reggae Summer, and Brandon's pick is The Heptones' 1976 Island album Night Food — their Studio One classics re-cut at Harry J's studio into a lush, international-facing set. We're joined by two experts in singing Jamaican music, Devin Morrison (The Expanders, "Man Like Devin," Long Beach Dub Allstars) and Joanne Highland, for a deep dive on harmony and the art of the vocal group. We cover the Heptones' rise through Coxsone's Studio One; Leroy Sibbles' double role as the label's house bassist and arranger; the Harry J re-recordings and Danny Holloway's production; the players in the room, including Robbie Shakespeare; standout tracks like "Book of Rules," "Sweet Talking," "I've Got the Handle" and "Love Won't Come Easy"; and our Favorite/Best game. CHAPTERS: 00:00:00 - Intro 00:21:42 - Who are The Heptones? 00:39:59 - Production and Vocal Trios 01:16:53 - Standout Songs 01:40:18 - Favorite/Best 02:00:39 - Final Thoughts Support the show and get ad-free episodes at https://patreon.com/blackmarketdub Our music: https://blackmarketdub.bandcamp.com Vinyl: https://escapehatchrecords.com Instagram: @blackmarket_dub Watch the video episodes on YouTube: https://youtube.com/blackmarketdub Email us: blackmarketreggae@gmail.com

Toots And The Maytals — Funky Kingston | The Funky Soul of Jamaica

This week its Toots and the Maytals' Funky Kingston, and we're joined by John Roy — of Unsteady and the A100s, founder of Smoke and Mirrors Sound System, and the man behind Escape Hatch Records — making his second appearance on the show. It's the Big Payback of Jamaican music: a band that had been working since before ska had a name, suddenly sounding huge. We sort out which Funky Kingston is actually Funky Kingston (the 1975 US version keeps three songs from the 1973 original and borrows six more from In The Dark), work through why Chris Blackwell left this one mostly alone after meddling so heavily with Catch A Fire, and find the overdubs he snuck in anyway. Along the way: Toots as a gospel kid from a Seventh-day Adventist household, the uncredited band that stayed with him for fifty years, the piano that steals the bass line on the title track, the best John Denver cover ever recorded, and a long detour into Chris Blackwell's family fortune, Ian Fleming, and whether he's Vader or Palpatine. Also, you've probably been pronouncing his name wrong. Next episode: The Heptones, Night Food. CHAPTERS: 00:00:00 - Intro 00:24:33 - Talking Toots 00:49:44 - Production, Chris Blackwell, and Musicianship 01:42:11 - Standout Songs + Favorite/Best 02:13:14 - Final Thoughts and News

The Mighty Diamonds — Right Time | The Best Reggae Album You've Never Heard

Brandon's pick, and the one that floored Nate — a lifelong reggae obsessive who'd somehow never heard it. The Mighty Diamonds' 1976 debut Right Time is the record that finally made Channel One work, a study in minimalism, and home to some of the most beautiful vocal-trio singing ever recorded. It also pulls off a strange, gorgeous trick: sweet, wistful melodies wrapped around lyrics about judgment day and fire. We get into the Hoo Kim brothers and the birth of the Channel One sound, why the "militant rockers" tag doesn't actually fit, the Revolutionaries house band, and a full track-by-track through favorites and bests. Week three of the second annual Reggae Summer, and the start of a run on the great reggae vocal trios. CHAPTERS: 00:00:00 - Intro and Overview of Right Time 00:46:56 - Production 01:11:32 - Bassline Demo 01:18:55 - Standout Songs 01:52:05 - Favorite/Best 02:14:00 - Final Thoughts, BMD Updates

Jimmy Cliff — Wonderful World, Beautiful People | Reggae Before Rasta

Before Bob Marley conquered the world, Jimmy Cliff was the number one man in reggae. Wonderful World, Beautiful People (known outside the US as the self-titled Jimmy Cliff) is the most secular, least Rasta record we've covered for Reggae Summer — and the album where Cliff brought protest and political consciousness into reggae before anyone else. It's "happy music, sad lyrics," it contains two of the greatest songs ever cut ("Many Rivers to Cross" and "Vietnam"), and almost no one remembers it was him who kicked the door down. This week Nate and Brandon dig into early reggae before roots and dub, producer Leslie Kong and the Bunny Wailer curse, the mystery of who played on the record, the across-the-pond production that flew the tapes to New York, John Lennon and Paul Simon's debt to Cliff, and why — if Marley had never existed — we'd all be wearing Jimmy Cliff shirts. Week two of the second annual Reggae Summer. CHAPTERS: 00:00:00 - Intro 00:17:04 - Who Was Jimmy Cliff? 00:46:25 - Production 01:21:14 - Standout Songs 01:38:40 - Favorite/Best 02:05:29 - Final Thoughts, Mailbag, and NEW BMD ALBUM!

Peter Tosh — Legalize It | Reggae's #2 — Or Should He Be #1?

Reggae Summer Vol. 2 kicks off with Peter Tosh's 1976 debut, Legalize It — and we've got a guest. Brian Wallace, aka Dub Robot, returns for his second appearance on the show (he joined us last year for Exodus): a saxophonist, engineer, and the man who taught us reggae in the first place. Brandon's pick is the first solo album from the Wailer who never softened the message — recorded with what's essentially the Wailers minus Bob Marley, including Bunny Wailer, Rita Marley and Judy Mowatt. It sounds like a loose jam played to perfection, and it exists in two very different mixes: the bone-dry original Jamaican mix and the lush, Spector-ized version polished at CBS in New York. We dig into Tosh's place as reggae's perpetual "number two" and the argument that he could have been number one, the Wailers split and the management feuds behind it, Al Anderson's New York guitar overdubs, the guitar Tosh built himself, the surprisingly forward-looking synth work, and the difference between Tosh's confrontational, specific protest and Marley's universal approach. Plus our standout songs, including the Bob Marley diss track hiding in plain sight, and Brian's deep cuts off the dub plates. Email blackmarketreggae@gmail.com and leave a comment to be read on a future episode.

Beck — Sea Change | The Breakup Album Everyone Misreads

Nate picked it (and is going through a breakup as we record this), Brandon was the engineer on a week of rehearsals with this exact band years ago, and we both arrived at the same hot take: Sea Change is not actually a stripped-down album. This week on Playback: Beck — Sea Change (2002). The breakup record. The eighth Beck album. The one where the goofy Devil's Haircut rapping-in-Spanish funk guy walks into Ocean Way with Nigel Godrich and walks out with a slow, deep-voiced, string-drenched masterpiece. Recorded on the legendary Dalcon console. Mixed with no automation, all hands on the desk. And — this is the part nobody talks about — made by a guy who was ALSO simultaneously starting records with Dan the Automator and probably Guero and The Information at the same time. What we get into: - Sad Beck vs Funk Beck — and the fact that he was making both at once - Why Sea Change isn't "stripped down" — it's secretly maximalist - The Dalcon Feud: Beck, Nigel Godrich and Jon Brion all tried to buy the Ocean Way console, and only one of them got it - Brandon's week in the studio with the band before this episode was ever a podcast - Closer to Neil Young's Harvest than to Bob Dylan's Blood on the Tracks - The "all hands" mix technique — three or four people on the console, mixed as a performance - Paper Tiger as a full-on Serge Gainsbourg / Melody Nelson sound-alike (and the confession that Nate may have oversold this) - Joey Waronker's pocket, James Gadson's funk pedigree, Smokey Hormel (yes, that Hormel) and Roger Manning Jr. (yes, that Jellyfish) - The George Harrison / All Things Must Pass guitar trick hiding all over Sea Change - Favorite vs Best vs Standout — The Golden Age, Lost Cause, Guess I'm Doing Fine are all so good none of us could pick clean - Why Paper Tiger as track 2 is the wrong move - Brandon's hot take: does post-Sea Change Beck dip a toe into the Eddie Vedder / Layne Staley / Scott Stapp yarl-voice pool? - Quote Corner: three Beck quotes that change what you think this album actually means Tell us your Favorite vs. Best Sea Change song — comment on the YouTube version of this episode or email blackmarketreggae@gmail.com. Watch the video version on YouTube: https://youtube.com/blackmarketdub Playback playlist: https://www.youtube.com/playlist?list=PL2bglGuNFbZwJ7SsGU-QbeBero8j7p7jn Support the show: https://patreon.com/blackmarketdub Black Market Dub on Bandcamp: https://blackmarketdub.bandcamp.com Escape Hatch Records: https://escapehatchrecords.com Instagram: https://instagram.com/blackmarket_dub

Supertramp - Breakfast In America | When Nerds Ruled Rock 'n Roll

Brandon picked it, Nate had never really listened to it, and our guest, Patrick Simon (musician, audio engineer, and Brandon's bandmate of a bazillion years) is a full-on Supertramp nerd. So we're putting Breakfast in America on Playback. This week: Supertramp – Breakfast in America (1979) — the album that turned a band of British transplants into the biggest pop act on Earth, sold 20 million copies, hit #1 in 12 countries, and somehow left the band so unrecognizable that any of them could walk around your city right now and you'd never know. The album where Roger Hodgson got so deep into the recording that he bought a Winnebago and parked it outside the Village Recorder so he could sleep next to the console. Brandon's pitch: this is the album where, in the same exact moment punk was telling the world you don't need to know what chord that is, a different breed of British musician was answering "but what if you did?" This is the Steely Dan / Rush / Alan Parsons / late-70s nerds-take-over-rock-and-roll moment. And it might be the greatest Wurlitzer album ever made. Chapters: 00:00:00 - Intro - Why did we pick Breakfast In America? 00:23:55 - Supertramp Went To Hogwarts 00:54:53: Production (But Mainly Wurlitzer Talk) 01:42:59 - Standout Songs + Favorite/Best 02:27:52 - Final Thoughts…. SIKE More Wurlitzer 02:41:23 - Ok FINAL Thoughts.. SIKE 9/11 02:45:33 - Final Final Thoughts, Mailbag, and Next Pick What we get into: - Yacht rock or dad rock? (We land on one of them — and it's not yacht rock) - The Davies / Hodgson duality — blue-collar blues guy vs. boarding-school castle kid - The Dutch millionaire who paid for Supertramp to exist, then walked away when it didn't work — and let them keep the money - The Wurlitzer vs. the Rhodes — what the difference actually is, why this is a Wurlitzer album, and why a Wurlitzer mixes itself - Boss CE-1 chorus pedal + DI + a tiny 64-key range that only really speaks in the middle = the entire sound of this record - The making-of: 1 month tracking, 7 months of overdubs, 1 month mixing — they only stopped mixing because the deadline came - A full week of just drum sounds - Why they had to leave the Village and mix it at Crystal Sound in Burbank - Favorite vs. Best vs. Standout — three different picks, three different reasons, and one heated argument about whether The Logical Song's vocal performance is grating - Casual Conversations as the negative standout - Why "dated" isn't a bad word, and why "timeless" isn't a compliment NEW SEGMENT (continued): We read your YouTube comments from the Bad episode. Leave us your Favorite vs. Best Supertramp song (or your opinion on Nate's reordered Breakfast in America track list) and we'll read the best ones on the next episode. Email us at blackmarketreggae@gmail.com. Support & follow: Patreon: https://patreon.com/blackmarketdub Bandcamp: https://blackmarketdub.bandcamp.com Escape Hatch Records: https://escapehatchrecords.com YouTube: https://youtube.com/blackmarketdub Instagram: https://instagram.com/blackmarket_dub

Michael Jackson — Bad | Was This Michael's Last Good Album?

We did it — we put Michael Jackson on Playback. This week, Nate picked Bad (1987) — Michael Jackson's seventh album, his third and final collaboration with Quincy Jones, and the impossible follow-up to Thriller. The album where MJ wrote "100 MILLION" on his bathroom mirror, almost talked Prince into singing the first verse of the title track, and produced five #1 singles in a row — a record that stood for 25 years. If Thriller was Michael's Goodfellas, Bad is his Casino: weirder, darker, more interesting, and dated in a way that makes it endlessly fascinating. We get into: - Hot take from minute one: this album should be called "Good" - Why Bad is where everyone started taking a hard look at Michael — and where the "Wacko Jacko" era really begins - The production deep dive: the Synclavier ($200K in 1987), the Yamaha DX7, the Roland D-50, the Mitsubishi X850 digital tape machine, and how digital synths split pop musicianship into two camps forever - The A-Team vs. the B-Team — Quincy Jones, Bruce Swedien and Greg Phillinganes at Westlake versus the home-studio crew at Hayvenhurst, and what happened when Michael showed up to the official sessions with finished-sounding demos - Bruce Swedien stories: the drum platform, the 100 mixes of Billie Jean, the sped-up-tape clap trick - Did he do it? — we talk about the allegations - Brandon was working at the rehearsal studios for This Is It when Michael died — he was there, in the room - Favorite vs. Best: Man in the Mirror, The Way You Make Me Feel, Another Part of Me, Smooth Criminal, Liberian Girl - Was Michael Jackson the greatest entertainer who ever lived? Plus our next album pick. We want to hear from you. What's your Favorite vs. Best Michael Jackson album, song, or sound? Email us at blackmarketreggae@gmail.com or leave a comment on YouTube and we'll read the best ones on a future episode. CHAPTERS: 00:00:00 - Bad Overview 00:10:33 - Who Was Michael Jackson? 00:52:26 - Did He Do It? The Allegations 00:53:12 - The BAD Production 01:48:48 - Standout Songs & Favorite/Best 02:28:48 - Final Thoughts. Was MJ The GOAT? 02:38:43 - Mailbag (we read your comments) and Next Pick Follow & support: Patreon — patreon.com/blackmarketdub (ad-free episodes) Bandcamp — blackmarketdub.bandcamp.com Escape Hatch Records — escapehatchrecords.com Instagram — @blackmarket_dub YouTube — youtube.com/blackmarketdub This episode is for fans of Michael Jackson, Quincy Jones, Bruce Swedien, Prince, Stevie Wonder, the King of Pop, Off the Wall, Thriller, Dangerous, Smooth Criminal, Man in the Mirror, the Synclavier and 80s digital production, music history deep dives, and album deep dives from a musician's perspective.

Gorillaz - Plastic Beach | The Cartoon Band With Something to Say (Or Do They?)

We're back from a short break and we came loaded — we relistened to the entire Gorillaz catalogue, caught them live at The Palladium in Los Angeles performing their new album The Mountain in full, and visited the House of Kong Exhibition before sitting down to record. On this episode we cover Plastic Beach: the production, our favorite tracks, our hot takes on what doesn't work, the full arc of Gorillaz across their career, and our honest reaction to The Mountain. And we sit with the question the whole episode keeps circling back to — are Gorillaz actually that deep, or is it all very stylish plastic artifice? We also pick our next album. Drop your Favorite vs. Best Gorillaz picks in the comments or email us at blackmarketreggae@gmail.com. CHAPTERS: 00:00:00 - Intro 00:27:56 - Production styles of GORILLAZ 00:56:55 - Standout Songs 01:41:50 - Favorite/Best & Hot Takes 02:11:43 - Final Thoughts & Next Album Pick

The Shaggs - Philosophy of the World | Art, Coercion, or Accidental Genius?

On this episode of Playback, we dig into Philosophy of the World by The Shaggs — and we don't let it off easy. We break down the legend of Austin Wiggin and the palm reading prophecy that supposedly destined his daughters for fame. We get into the music technically: what's going wrong, what's surprisingly going right, and what their relationship to rhythm and melody actually tells us. We put the record head-to-head with Trout Mask Replica by Captain Beefheart — two records that sound alien in similar ways but couldn't be more different in intent. And we ask the question nobody seems to want to sit with: is this album art, or is it coercion? CHAPTERS: 00:00:00 - Intro on Philosophy of the World 00:12:45 - The Legend of The Shaggs 00:43:23 - Production and Musicianship 01:10:19 - Standout Songs & Songwriting Breakdown 01:30:13 - Favorite Songs vs Best Songs, and Guitar Demo 01:44:00 - Hot Takes, Final Thoughts, and Next Album Pick #TheShaggs #OutsiderMusic #AlbumDeepDive #MusicPodcast #albumreview

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