For over 40/45 years I had the privilege to work with some of the most amazing, talented, crazy and often deluded people in the world of music and movies. I've spent endless hours stationed behind the mixing desk, orchestrating the recording and production processes for a diverse spectrum of artistes.

From the remarkably gifted to those whose creative spark may have flickered less brightly, I've navigated them all.

It began in 1969, at Pye Studios in London, where I was fortunate to learn the art of recording from some of the most acclaimed engineers of the time. I subsequently moved on to De Lane Lea Studios, an expansive state-of-the-art facility acclaimed as the world's largest purpose-built studio.

Both Pye and DLL functioned as my educational institutions for mastering the intricacies of sound recording. Significantly, t ...