Kenny Dentons" There Ain't No Rules In Rock n Roll" Stories From My 45 Years in The Music Industry.

por Kenny Denton

Temporada 9

Kenny Denton's " There Ain't No Rules in Rock ‘n’ Roll." A Short Promo For The Book.

For over 40/45 years I had the privilege to work with some of the most amazing, talented, crazy and often deluded people in the world of music and movies. I've spent endless hours stationed behind the mixing desk, orchestrating the recording and production processes for a diverse spectrum of artistes. From the remarkably gifted to those whose creative spark may have flickered less brightly, I've navigated them all. It began in 1969, at Pye Studios in London, where I was fortunate to learn the art of recording from some of the most acclaimed engineers of the time. I subsequently moved on to De Lane Lea Studios, an expansive state-of-the-art facility acclaimed as the world's largest purpose-built studio. Both Pye and DLL functioned as my educational institutions for mastering the intricacies of sound recording. Significantly, they also served as platforms for me to immerse myself in the realm of record production and song writing, where I gleaned insights from the luminaries who frequented the recording studio and consistently topped the charts. Throughout the years, I've regaled friends and family with countless anecdotes from this captivating journey. As moments turned into memories, the notion to preserve these tales began to crystallize, prompting a profound appreciation for the intricacies of the human mind. It's a marvel that commences its workings long before one's birth and doesn’t stop until the moment one sits down to write a book. Coming up with a name for a book is a crucial task and I needed something both attention grabbing and sales worthy. My initial ideas, "Sold Over 5 Million Copies Worldwide" and "The Number One Best Seller," both certainly have a catchy, attention-grabbing quality to them, but they might not accurately reflect the essence of the book's content. Compiling an accurate timeline of my narratives became achievable through consulting my diaries. Spanning from 1971 to 2009, I consistently maintained these journals, not out of any historical intent, but merely to log the sessions I worked on and the overtime hours I accrued. Unexpectedly, they have emerged as indispensable references, furnishing precise dates and contextual details to my various escapades. Reflecting on my experience within this captivating industry, I've arrived at a simple realisation: You may have been in the business for 5 minutes or for 20 years, you could be very gifted or have no talent at all but to achieve success you must remember one crucial thing There Ain't No Rules in Rock ‘n’ Roll. My book is available here: https://www.amazon.co.uk/There-Aint-Rules-Rock-Roll-ebook/dp/B0DB3KGRFR Please check out my Youtube channel Denton 115 Keeping The Memory Alive. https://www.youtube.com/watch?v=Rd0-UuaMjf0&t=742s

T9 · E1

14 sept 2026

1:36

Temporada 8

Kenny Denton’s Memoir. "There Ain't No Rules in Rock ‘n’ Roll. Excerpts. Billy Ocean.+ AC/DC"s Cliff Williams. + Pye Studios.

My book is available here: There-Aint-Rules-Rock-Roll-ebook/dp/B0DB3KGRFR This Deep Dive Review edited segment from Kenny Denton explores the foundational years of his career at Pye Studios, where junior engineers honed their craft during affordable weekend recording blocks known as Saturday Specials. The narrative highlights a vibrant era of British music history is centered around Denmark Street, where aspiring stars like David Bowie and Elton John gathered at the Giaconda Café. Denton recounts his collaboration with the management duo Meyers and Worsley, who achieved surprising success in the Eurovision Song Contest with the track "Jack in the Box". Significant portions of the text focus on the author's relationships with future industry icons, including Cliff Williams of AC/DC and the legendary Billy Ocean, then known as Les Charles. These recollections emphasise the unpredictable nature of the music business, illustrating how minor encounters and artistic reinventions can lead to global stardom. The account concludes with a nostalgic reflection on the enduring friendships formed during this transformative period in London's Tin Pan Alley.

T8 · E10

13 sept 2026

24:10

Kenny Denton’s Memoir. “There Ain't No Rules in Rock ‘n’ Roll.” Excerpts. PT (3) The Legendary Pye Mobile. Capturing Hendrix/The Who/ Chicago/John Sebastian. & The Chaos: Recording of the 1970 I O W Festival.

Explícito

My book is available here: There-Aint-Rules-Rock-Roll-ebook/dp/B0DB3KGRFR This Deep Dive memoir excerpt part 3 provides a firsthand account of the 1970 Isle of Wight Festival from the perspective of a young sound engineer Kenny Denton working on the Pye Mobile recording truck. The narrative describes high-pressure interactions with Teo Macero, who issued a chilling and prophetic safety warning regarding Jimi Hendrix shortly before the artist's final major performance. Technical challenges are a central theme, including a chaotic power failure during Chicago’s set and a risky microphone repair amidst The Who’s thunderous stage show. The text also highlights the logistical tensions of the era, such as The Doors’ refusal to be filmed and payment disputes that disrupted the schedule. Beyond the professional hurdles, the author reflects on the personal exhaustion of the crew and a humble encounter with Kris Kristofferson. Ultimately, the passage captures a pivotal historical moment marking the transition between the idealistic 1960s counterculture and the burgeoning rock industry of the next decade. .For the full story along with many more, are in my book “There Ain’t No Rules In Rock ’n’ Roll” is available from Amazon books, in paperback and Kindle. Please see my Youtube channel https://m.youtube.com/user/denton115/videos

T8 · E9

8 sept 2026

23:37

Kenny Denton’s Memoir. “There Ain't No Rules in Rock ‘n’ Roll.” Status Quo/ Mungo Jerry/Jesus Christ Superstar/The Legendary Pye Studios 1969. Excerpts. PT 2

My book is available here: https://www.amazon.co.uk/There-Aint-Rules-Rock-Roll-ebook/dp/B0DB3KGRFR In this Deep Dive Review is from Kenny Denton’s memoir and recounts his formative experiences as a novice employee at the London-based Pye Studios during the late 1960s. The narrative follows his rapid progression from a nervous newcomer to a proficient tape operator, highlighting the mentorship he received from a colleague nicknamed Peanut. Denton provides a vivid look into the technical challenges of the era, such as using manual tape editing and rudimentary microphone setups to create legendary sounds. His recollections include working with iconic artists like Status Quo and Mungo Jerry, as well as managing high-pressure sessions for notable figures such as Tim Rice and Jack Fishman. Ultimately, the text illustrates a vibrant era of music history defined by ingenuity, eccentric personalities, and the transition from dilapidated studio spaces to global chart success.

T8 · E7

8 sept 2026

25:05

Kenny Denton"s. “There Ain't No Rules in Rock ‘n’ Roll.” Excerpts. PT (1) from My Memoir.

My book is available here: https://www.amazon.co.uk/There-Aint-Rules-Rock-Roll-ebook/dp/B0DB3KGRFR In this Deep Dive review from his memoir, Kenny Denton reflects on a storied forty-year career within the music and film industries, transitioning from an aspiring musician to a professional record producer. The narrative outlines his humble beginnings in South London, where a childhood obsession with rock 'n' roll and a job at a record stall fostered his deep musical appreciation. His journey is marked by colourful encounters with underworld figures and a serendipitous meeting with a chauffeur that eventually secured him an entry-level position at Pye Studios. By referencing his personal diaries, the author validates his transition from a teenage dreamer to a seasoned expert who mastered the art of recording. Ultimately, the text illustrates his belief that success in the creative world requires navigating a landscape where there are no rules. The journey really starts from a South London market stall to the legendary Pye Studios is a remarkable story of persistence, chance encounters, and an unwavering passion for music. The East Lane Market Foundation (1962–1967) The author's path began on Saturday shopping trips with his mother in 1962 at East Lane market in South London. Captivated by the music but unable to afford the new releases, he frequented Harry's stall at the back of the market, which sold cheap, ex-jukebox singles. Though Harry initially rejected his requests to work because he was only ten years old, he finally hired him at age twelve, paying him in two or three vinyl singles a week. For the next three years, the author worked on the stall every weekend, building his personal record collection, diversifying his taste with artists like Dinah Washington and Johnny Cash, and learning how to navigate the diverse personalities of market life. Youthful Ambitions and Newsagent Detours After leaving school at fifteen with no qualifications, his focus shifted entirely to starting a band and making it in the music industry. To support himself, he took a part-time job at a Kennington newsagent run by Roger Puree, a tough member of the notorious Richardson gang who also managed the author's band. Though that band eventually dissolved, the author continued working in newsagents, landing a job in late 1968 as a relief manager traveling between central London shops. The Seymour Place Chance Encounter The critical breakthrough occurred on an ordinary afternoon at the Seymour Place newsagent. A chauffeur dressed in uniform came in and chatted with the author, who confidently boasted that his band was going to be the next Beatles. When a customer named George Schmitt entered, the chauffeur played along, boldly posing as the band’s manager and pitching their original songs. Schmitt, who was actually in the music industry, gave them his card and asked for a demo tape. Stepping into Pye Studios (1969) The demo tape led to an audition at Young Blood Records, but a more permanent opportunity arose shortly after when Schmitt secured the author an interview for a tea boy position at Pye Studios. Despite the job paying just £7/10s a week—a steep decline from his newsagent salary of £22 a week—the author eagerly accepted the month-long trial under manager Pat Godwin, launching a 40-year recording and production career in 1969. 🎸 We could also dive into his chaotic days working for Roger Puree—and how a band manager connected to the notorious Richardson gang secured them gigs in the 1960s South London scene.

T8 · E6

5 sept 2026

20:51

Kenny Denton"s. "There Ain’t No Rules In Rock ’n’ Roll” Chas & Dave: & Arthur Mullard.. The Film Actor Who Couldn’t Sing a Note. + "Where There's a Hit There's a writ.”

My book is available here: https://www.amazon.co.uk/There-Aint-Rules-Rock-Roll-ebook/dp/B0DB3KGRFR This Deep Dive review explores the creative collaboration between the comedic actor Arthur Mullard and the musical duo Chas & Dave during the mid-1970s. It details the production process behind a humorous, spoken-word rendition of "I Only Have Eyes for You," which was intended to capitalise on Mullard's distinct Cockney persona. Despite the track's commercial failure due to stiff competition from Art Garfunkel, the narrative highlights the behind-the-scenes dynamics of the British music industry. The memoir also touches upon the legal disputes and shifting fortunes that occurred when Mullard eventually found chart success with a different label. Ultimately, the source provides a nostalgic reflection on the eccentricities and unpredictable nature of the vintage UK entertainment scene. For the full story is available on my Blog, along with many more, which are in my book “There Ain’t No Rules In Rock ’n’ Roll” is available from Amazon books, in paperback and Kindle. Please see my Youtube channel https://m.youtube.com/user/denton115/videos

T8 · E5

27 ago 2026

22:20

Kenny Denton"s. “There Ain’t No Rules In Rock ’n’ Roll” & The Crazy Days with The Chaos of Doug Sahm & SDQ, & Texas Groove. & How, Being Early Can Make You Late?

My book is available here: https://www.amazon.co.uk/There-Aint-Rules-Rock-Roll-ebook/dp/B0DB3KGRFR This Deep Dive Review is an excerpt from the memoir, of producer Kenny Denton who reflects on the chaotic yet brilliant career of Doug Sahm and the Sir Douglas Quintet. The narrative describes the professional friction caused by Sahm’s unpredictable lifestyle, highlighting a humorous ordeal involving a deceptive taxi driver and the artist's chronic tardiness. Despite the substance-fuelled sessions and administrative nightmares such as a famously lost rental car shared with Bob Dylan, Denton emphasises Sahm’s undeniable musical genius. The text portrays Sahm as a pioneering figure whose Tex-Mex and rock fusion earned him critical respect, even if his eccentricities often exhausted his collaborators. Ultimately, the source serves as a fond tribute to a unique artist who prioritised creative authenticity and spontaneity over industry norms. For the full story along with many more, are in my book “There Ain’t No Rules In Rock ’n’ Roll” is available from Amazon books, in paperback and Kindle. Please see my YouTube channel https://m.youtube.com/user/denton115/videos

T8 · E4

21 ago 2026

23:00

Kenny Denton"s. “There Ain’t No Rules In Rock ’n’ Roll” The Remarkable Career and Character John Velasco-Mills. Stories That Nearly Made the Book. Pt (2)

My book is available here: https://www.amazon.co.uk/There-Aint-Rules-Rock-Roll-ebook/dp/B0DB3KGRFR This Deep Dive Review provides a biographical look at the prolific career of John Velasco-Mills, a versatile figure in the music industry who excelled in publishing, production, and management. Through the personal recollections of memoirist Kenny Denton, the source highlights Velasco-Mills' leadership at United Artists and his collaborations with iconic acts like Randy Edelman and the Eurovision entrants Dream Express. The narrative emphasizes his magnetic personality and professional influence, which helped launch the careers of numerous entertainers. Beyond business achievements, the passage captures the glamour and eccentricity of the 1970s recording scene through humorous anecdotes involving luxury lunches and high-profile industry showcases. Ultimately, the source serves as a tribute to a lifelong friendship and a successful partnership that shaped many unforgettable moments in rock and roll history

T8 · E3

11 ago 2026

22:13

Kenny Denton"s. "There Ain’t No Rules In Rock ’n’ Roll.” Where a Vibrant & Unpredictable World & Talent, Luck, & Business Savvy Frequently Collide.The Stories That Nearly Made the Book. Pt (1)

My book is available here: https://www.amazon.co.uk/There-Aint-Rules-Rock-Roll-ebook/dp/B0DB3KGRFR This Deep Dive review presents a collection of behind-the-scenes anecdotes from Kenny Denton’s career in the British music industry, spanning over forty years. It highlights the hidden financial realities of stardom, such as songwriters paying famous artists to record their tracks, and the rapid decline of popular bands. The narratives feature high-profile figures like Neil Diamond and Woody Allen alongside industry veterans who managed legendary acts. Denton also explores the technical secrets of recording, revealing that session musicians often replaced the actual band members on famous hit records. Throughout the passage, the author reflects on the extravagant lifestyle of the 1970s and the humorous, sometimes professional-ending, mistakes made in the recording studio. Ultimately, these stories portray a vibrant and unpredictable world where talent, luck, and business savvy frequently collide.

T8 · E2

11 ago 2026

15:42

Kenny Denton"s. "There Ain’t No Rules In Rock n Roll." The Story of Onest Records. The Record Label. That Couldn't Have a Hit Because If Did. It Would Go Bankrupt.

My book is available here: https://www.amazon.co.uk/There-Aint-Rules-Rock-Roll-ebook/dp/B0DB3KGRFR This Deep Dive Review provides a biographical sketch of Buck Holder, a deceitful and manipulative figure who operated Onest Records in the early 1970s. The narrative details how Holder deliberately structured his business to avoid commercial hits, allowing him to embezzle funds through complex international licensing schemes and falsified manufacturing invoices. Beyond his financial crimes, the memoir describes Holder as a narcissistic fantasist who exploited artists and employees alike while boasting of fabricated professional achievements. His career is characterised by a series of elaborate scams, ranging from money laundering with overseas royalties to the eventual collapse of a multi-million-pound deal with a German label. Ultimately, the source portrays a man whose only genuine talent was an unwavering expertise in embezzlement and self-enrichment at the expense of the music industry. Underneath his authoritative persona lay a profound lack of musical understanding, resulting in a legacy defined by fraud rather than artistic merit. For the full story along with many more, are in my book “There Ain’t No Rules In Rock ’n’ Roll” is available from Amazon books, in paperback and Kindle. Please see my Youtube channel https://m.youtube.com/user/denton115/videos

T8 · E1

4 ago 2026

23:42

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