Notas del episodio
"And the man on the cuts! Twice as nice with the slice...his name ain't Tommy...but he's my boy!"
Yes, that's right. A little apropos-of-nothing (Chicago's own) Liquid Soul quote to celebrate the fact that Dylan Johnson joined me for Episode No. 149.
Very pleased that Dylan joined me for this conversation, and I feel it's important to let you know that his stuff is as follows: dylanjohnsonlive.com; humbledpride.com;, and dylan_johnson_music on Instagram. You can find stuff to listen to on Spotify, Apple, YouTube, Amazon, Pandora, and Deezer, and -- while you're pokin' around -- make sure to give 2022's Suburbs a listen.
I really enjoyed getting to chat with Dylan. We talked a little bit about family and growing up, being part of a band that's been both together and homeboys for decades, and we also talked about the process of writing, recording, and producing an album. Not lost in the mix was a little segment about a few of Dylan's favorite albums, which were these:
Van Morrison's Astral Weeks (1968)
August & Everything After (1992), Counting Crows
Ben Folds Five's self-titled (1995)
Rain or Shine (2010), O.A.R.
Lana Del Ray's Norman Fucking Rockwell! (2019)
Talking with Dylan was educational and entertaining. He seems to have that "it" button, and I wish him nothing but the best with both his current and future projects. If you're in KC, I think you can catch him at The Pour House Friday evenings. Check him out.
Thank you to Dylan for his time, and thank you to all of you that support the show.
Cheers.
copyright disclaimer: I do not own the rights to the audio samples contained within this episode. They are samples taken from a Widespread Panic single from this year (!) called, "Blue Carousel" c/o Widespread Records. I mean, I have always loved me some Widespread, and -- while this tune's riff sounds a lot like the initial heartbeat of "Greta," I had to tag it and show them some love.