2001: A Space Odyssey (September Snubs)
Fatal Attraction (September Snubs)
That Thing You Do!
Bo Burnham: Inside
Scott Pilgrim vs. the World
Snatch
THE ODYSSEY
Disclosure Day
Obsession
Backrooms
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Our September Snubs marathon continues on We Drink & We Watch Things as we shift from acting heartbreaks straight behind the lens to tackle the Best Director category. For this episode, we are diving into Stanley Kubrick’s 1968 sci-fi titan, 2001: A Space Odyssey. In one of the most baffling decisions in Academy history, the director who redefined the boundaries of cinematic storytelling was not even nominated for Best Director that year (with the category ultimately going to Carol Reed for Oliver!), leaving Kubrick with a career total of zero competitive directing Oscars. To help navigate the vast silence of deep space and the cold logic of rogue artificial intelligence, we are pouring a custom cocktail by Mackenzie called "The Monolith" - a surprising riff on the classic negroni. It is dark, mysterious, and forces you to ponder the mysteries of the cosmos with every sip. This week, we break down why Kubrick’s directorial vision on 2001: A Space Odyssey stands as a monumental artistic achievement. We dissect his revolutionary use of practical visual effects, the iconic bone-to-satellite match cut, and how he used classical music to transform space travel into a grand, operatic ballet. We analyze Douglas Rain’s chillingly calm vocal performance as HAL 9000, discuss the terrifying suspense of the Discovery One mission, and ponder what it all means. If you have spent hours contemplating the Star Child, or if you just want to hear us passionately rant about how the Academy overlooked the single most influential sci-fi director of all time, open the pod bay doors and hit play. We are blending our awe for a legendary master of cinema with our usual casual banter, keeping our September Snubs series moving into the unknown. This episode VIDEO is live on YouTube AND Spotify! Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next! Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
September is officially here on We Drink & We Watch Things, and we are kicking off a brand-new theme dedicated to the absolute biggest heartbreaks in Academy Awards history: September Snubs. All month long, we are covering legendary films and performances across the major categories that got robbed of their golden statuette. To open the month with our Best Actress snub, we are diving into Adrian Lyne’s massive 1987 psychological thriller, Fatal Attraction, starring the ultimate icon of Oscar snubs: Glenn Close. To steel our nerves for Alex Forrest's furious campaign of revenge, we are serving up a custom cocktail called "I Won't Be Ignored" - a smooth and sharp mix of rye whiskey, sweet vermouth, amaro, a couple dashes of bitters with a red wine float. Don't forget to skewer a dark cherry for good measure. This week, we unpack Glenn Close’s astonishing, career-defining performance as Alex Forrest, an iconic turn that somehow didn't win her the Oscar (losing out to Cher in Moonstruck). We break down how Close took what could have been a simple villain role and infused it with terrifying heartbreak, psychological depth, and tragic vulnerability. We also examine Michael Douglas's flawed, desperate Dan Gallagher, analyze how the studio's infamous reshot ending changed the entire narrative framing of the film, and debate why Close remains the most nominated living actor without an Academy Award win. If you still get nervous around a boiling pot on the stove, or if you want to join us in passionately defending one of cinema's greatest performances, this episode is a must-listen. We are blending our deep admiration for a titan of acting with our usual casual banter, making this an explosive start to September Snubs. We will not be ignored! This episode VIDEO is live on YouTube AND Spotify! Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next! Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
We have reached the grand finale of Lemar’s birthday month on We Drink & We Watch Things, and we are closing out August with pure, unadulterated joy! For his fourth and final pick, Lemar chose Tom Hanks’ delightful 1996 directorial debut: That Thing You Do!. It is a sun-drenched, incredibly charming tribute to the fleeting nature of pop stardom and the golden age of 1960s rock 'n' roll. To celebrate the rise of the One-ders (that's "Wonders"), we are shaking up another custom cocktail by Lemar called "That Thing We Drink!" - a bright, effervescent mix of vodka, fresh lime juice, grenadine, and a splash of ginger beer. It is sweet, upbeat, and captures that crisp 1960s garage-band optimism in a glass. This week, we dive headfirst into the story of Erie, Pennsylvania’s favorite band. We celebrate Tom Everett Scott’s endlessly cool jazz-head drummer Guy Patterson, Johnathon Schaech’s intensely serious frontman Jimmy, Steve Zahn’s scene-stealing comedic brilliance as Len, and Ethan Embry’s nameless, lovable bass player. We gush over Liv Tyler’s star-making, infectious performance as Faye, praise Tom Hanks' smooth direction and supporting turn as Mr. White, and dissect the genius of the late Adam Schlesinger’s titular title track—a song so catchy it genuinely convinces you a band could rise from a college talent show to the national top ten on its rhythm alone. If you find yourself tapping your foot every time the tempo kicks up, or if you just want to hear us bring Lemar's birthday month to a triumphant, high-note finish, this is an episode you will love. We are blending our deep nostalgia for a feel-good classic with our usual casual banter to close out an incredible month of Lemar's favorite films. I am signin' off! This episode VIDEO is live on YouTube AND Spotify! Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next! Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
Lemar’s birthday month celebration takes an intimate, deeply reflective, but hilarious turn on We Drink & We Watch Things as we move into his third selection of August: Bo Burnham’s groundbreaking 2021 musical comedy special, Bo Burnham: Inside. Shot, directed, edited, and performed entirely by Burnham in a single room during isolation, this masterpiece redefined what a comedy special could be, blending hilarity with existential dread. To accompany the solitary, late-night atmosphere of the special, we are sipping on a custom cocktail called Lemar fittingly dubbed "Stir Crazy" - both strong and sweet to get you through lockdown. This week, we explore how Burnham captured the collective mental space of an entire era using nothing but a tiny room, projection lighting, and sheer artistic ambition. We break down the sheer musical brilliance behind instantly iconic tracks like "Welcome to the Internet," "All Eyes on Me," and "Comedy," dissecting how the special shifts seamlessly from razor-sharp satire of digital culture to raw, unfiltered vulnerability. We also marvel at the technical wizardry of his one-man crew setup, discussing how his lighting design, camera angles, and editing build a sense of claustrophobia and emotional resonance that rivals major feature films. If you spent months with these songs stuck on repeat, or if you want to hear us unpack one of the most uniquely creative artistic achievements of the decade, this is an episode you will love. We are blending our awe for Burnham's singular vision with our usual casual banter, continuing to celebrate Lemar's favorite picks all month long. This episode VIDEO is live on YouTube AND Spotify! Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next! Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
Lemar’s birthday month celebration continues on We Drink & We Watch Things, and for his second pick of August, we are turning up the volume and diving headfirst into Edgar Wright’s hyper-kinetic 2010 comic book masterpiece: Scott Pilgrim vs. the World. Lemar requested this one specifically for its unmatched visual energy, rapid-fire humor, and absolute classic of a soundtrack. To match the high-score, 8-bit arcade chaos on screen, we are mixing up Lemar's custom cocktail called "Sex Bobomb" - a sweet and sour whiskey drink, served with a candied orange peel and cherry garnish - packing enough of a kick to knock out seven evil exes in a row. This week, we breakdown Edgar Wright’s unique direction and how he seamlessly translates video game logic, comic book panel transitions, and arcade visual effects onto the big screen. Lemar celebrates Michael Cera’s awkward, bass-playing protagonist, Mary Elizabeth Winstead’s iconic Ramona Flowers, and Mackenzie leans into the endless parade of scene-stealing supporting roles - from Chris Evans’ hilarious turn as movie star Lucas Lee to Kieran Culkin’s perfection as Wallace Wells and Brie Larson’s legendary vocals as Envy Adams. We also debate the sheer musical genius of Sex Bob-Omb, break down our favorite fight sequences, and discuss why this film is Lemar's ultimate holy grail of comic book adaptations. If you know all the words to "Threshold," or if you just want to hear Lemar geek out over one of the most visually inventive movies ever made, turn your amp up to eleven for this one. We are blending our deep appreciation for Edgar Wright's craft with our usual casual banter, keeping the birthday hype rolling strong for Lemar's special month. This episode VIDEO is live on YouTube AND Spotify! Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next! Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
August is officially here on We Drink & We Watch Things, and, as my gift to him, I turned over the keys to the broadcast schedule and let him curate every single movie for the entire month. To kick off his birthday month in style, we are throwing it back to 2000 for Guy Ritchie’s hyper-stylized, lightning-fast British crime masterpiece: Snatch. To set the mood for unlicensed boxing matches, underground bookies, and multi-million-dollar diamonds, we are pouring Lemar's cocktail creation - Mickey's Right Cross. It is punchy, rich, and goes down smooth enough to make you feel like a champion. This week, we dive into the chaotic London underworld that Ritchie crafted so brilliantly. We celebrate Brad Pitt’s unforgettable, scene-stealing performance as the un-understandable "Pikey" boxer Mickey O'Neil, Alan Ford’s terrifying appearance as Brick Top, and Jason Statham’s iconic turn as Turkish. We break down the film's kinetic editing, the endless parade of quotable dialogue, and that hilariously convoluted web of double-crosses involving pigs, squeaky toys, and a giant stolen diamond. It is a loud, energetic, and wildly fun tribute to one of Lemar's absolute favorites. If you can recite every word of Brick Top's monologues, or if you just want to hear us kick off a month of birthday hype with a classic, this is an episode you cannot miss. We are blending our deep love for classic 2000s crime cinema with our usual casual banter, making this the perfect opening bell for Lemar's birthday month. This episode VIDEO is live on YouTube AND Spotify! Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next! Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
We are wrapping up our 2026 Summer Blockbusters lineup with the grandest, most ambitious titan of the season: Nolan’s massive, star-studded adaptation of The Odyssey. Shot entirely on new IMAX film cameras across global locations, this 172 minute mythic action epic is easily the biggest cinematic event of July. To fuel ourselves for a ten year journey home, Mackenzie is serving up a refreshing custom cocktail - The Lotus Flower - but it packs a punch strong enough to make you forget your own homeland. This week, we dive into how Nolan takes Homer's foundational, 3,000 year old poem and turns it into a high-stakes blockbuster. We discuss Matt Damon’s fiercely physical performance as Odysseus, capturing a king who is a brilliant, wily strategist but entirely worn down by war and cosmic obstacles. We gush over the incredible ensemble cast, highlighting Anne Hathaway's fierce, resilient Penelope, Tom Holland's raw and restless turn as Telemachus, the scene-stealing presence of Zendaya as Athena, and Charlize Theron as Calypso. We also break down the film's spectacular, practical effects heavy encounters, from the terrifying scale of the Cyclops Polyphemus to the haunting sound design of the Sirens, and analyze how Hoyte van Hoytema’s breathtaking cinematography makes ancient myth feel completely immediate and real. If you have your tickets booked for the nearest 70mm IMAX screen, or if you just want to hear us debate how Nolan managed to make a three hour ancient Greek poem feel like a relentless sci-fi thriller, this is the episode you need. We are blending our awe for a master filmmaker at the absolute peak of his craft with our usual casual banter, making this the true, definitive grand finale of our summer blockbuster coverage. The gods have spoken. This episode VIDEO is live on YouTube AND Spotify! Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next! Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
Our summer blockbuster tour is shifting gears, into Steven Spielberg's latest high-budget sci-fi epic: Disclosure Day. The film promises a sprawling, global thriller surrounding humanity's first official contact with alien life, balancing massive spectacle with political intrigue. However, as you'll hear in this episode, the two of us... did not hold back on how much this one let us down. To help us get through our rant, we are shaking up a cocktail by Lemar - KCXE - a cocktail with a flurry of ingredients designed to be strong enough to numb the pain. This week, we break down where the film stumbles despite its stacked cast. We talk through Emily Blunt as a Kansas City TV meteorologist who develops a bizarre psychic connection to extraterrestrial signals, Josh O'Connor as the nervous cybersecurity analyst on the run after leaking government UFO archives, and Colin Firth as the ruthless corporate contractor hunting them down. While we appreciate Janusz Kamiński’s glowing 35mm cinematography and John Williams’ score, we rant about the frustratingly bloated second act, the bizarre theological arguments, and how Spielberg's usually reliable magic completely loses its way under the weight of its own self-importance. If you love a therapeutic, no-holds-barred episode where we tear into a disappointment, this is the discussion for you. This episode VIDEO is live on YouTube AND Spotify! Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next! Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
We have officially reached the penultimate film of our 2026 Summer Blockbusters lineup with the absolute biggest, wildest surprise smash hit of the entire year: Curry Barker’s independent supernatural horror phenomenon, Obsession. Made on a micro-budget, this movie completely took over the box office, shattered all expectations, and left audiences absolutely stunned. To help handle the intense psychological discomfort of this modern cautionary tale, Mackenzie cooked up this week's custom cocktail - none other than The One Wish Willow - a smoky mezcal paired with blood colored berries to go with the gore. This week, we dive headfirst into the terrifying world of the One Wish Willow. We analyze Michael Johnston's performance as Bear, the music store employee who uses a mysterious novelty item to make his crush fall in love with him, and we absolutely gush over Inde Navarrette's star-making, powerhouse performance as Nikki. We break down the unsettling way the film balances pitch-black comedy with genuine dread, highlighting those deeply eerie, shadow-draped scenes that force you to scan the corners of the screen. We also debate the film's brilliant take on the "nice guy" trope, looking at how Bear becomes the true villain of his own story by stripping away Nikki's freedom just to satisfy his own ego. It is a tense, jaw-dropping, and deeply thought-provoking discussion that will make you rethink your dating life. If you want to hear us break down the exact moment this movie shifts from an awkward romantic comedy into a full-blown nightmare, this is the grand finale you cannot miss. We are blending our awe for a fresh new voice in horror with our usual banter to bring our summer blockbuster marathon to a triumphant, spine-chilling close. This episode VIDEO is live on YouTube AND Spotify! Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next! Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!
Our 2026 Summer Blockbusters tour takes a deeply unsettling, mind-bending turn this week on We Drink & We Watch Things. We are trading the bloody arena fights of Mortal Kombat II for the quiet, endless, fluorescent-lit nightmare of Kane Parsons’ feature directorial debut, Backrooms. Distributed by A24, this psychological horror transforms a viral internet phenomenon into a genuinely terrifying study of grief, memory, and architecture gone completely wrong. To help suppress the existential dread of being trapped in a parallel universe, Lemar has given us our cocktail of the week - The Captain & Clark - a pale, yellow rum cocktail you'll want to sip on. It is crisp, a little bitter, and the perfect drink for when you feel like you are losing your grip on reality. This week, we unpack the incredible performances of Chiwetel Ejiofor as Clark, the struggling furniture store owner who stumbles into a gateway in his basement, and Renate Reinsve as Mary, his therapist who gets pulled into the labyrinth with him. We dissect how the film captures the deeply creepy aesthetic of "liminal spaces" - those beige corridors, dead malls, and glitching, digital sandbox environments that feel completely empty yet intensely hostile. We also talk through the film's hidden layers, examining how these infinite yellow rooms function as a physical manifestation of Clark and Mary's unresolved trauma, and why Mark Duplass's character adds the perfect amount of unsettling gravitas to the lore. If you are a fan of the original YouTube shorts, or if you just love a horror film that trades cheap jump-scares for absolute psychological claustrophobia, this is an episode you cannot miss. We are blending our fascination with this new wave of internet-born cinema with our usual casual banter, proving that the only thing scarier than being entirely alone is the sinking feeling that you aren't. This episode VIDEO is live on YouTube AND Spotify! Follow us on Instagram to get ep sneak peaks and find out what's coming up. DM us what you want to hear about next! Interested in what we're watching off the pod? Check out Mackenzie or Lemar's Letterboxd!