Episode Summary:  Cops and robbers are a sacrament of film. Once crime was introduced to cinema, filmmakers and writers uncovered its narrative power. Like any popular subject matter, it tends to get bland as films present watered-down versions and half-assed attempts at telling a compelling crime story. Fast forward to 1995’s Heat. Heat is art meets action in the form of cops and robbers. Instead of your standard crime drama, Michael Mann serves up a delicious character study that focuses on the subtle variance in moral fibers that put good and bad on opposite sides. The movie breaks wide open when you realize that Vincent and McCauley are the same people. They just happen to fall on different sides of the law. The Departed seems like a Scorsese rerun on the outside.  ...