Listen To Lillian

por Lillian Crawford

Listen To Lillian is a podcast about British cinema. Each episode I invite my guests to select a British film they think is interesting in its representation of women, or its approach to queerness, to discuss. This podcast is part of my ongoing blog: listentolillian.substack.com.
Cine de Historia
Criticas de Cine
Sitio Web

Episodios del podcast

  • Temporada 4

  • Blue Black Permanent and Orlando (1992) with So Mayer

    Blue Black Permanent and Orlando (1992) with So Mayer

    T04 E02
    01:32:57

    For this bumper episode, writer and programmer So Mayer brings to films with them onto the podcast - Margaret Tait's Blue Black Permanent and Sally Potter's Orlando, both released in 1992.

  • Pride & Prejudice (2005) with Clémence Rebourg

    Pride & Prejudice (2005) with Clémence Rebourg

    T04 E01
    01:08:08

    A new dawn approaches for Listen to Lillian as we kick off a new season of the podcast with a wholesome discussion around Joe Wright's 2005 adaptation of Pride and Prejudice by Jane Austen, featuring cultural programmer Clémence Rebourg.

  • Temporada 3

  • The Remains of the Day (1993) with Lizzie Mackarel

    The Remains of the Day (1993) with Lizzie Mackarel

    T03 E04
    01:11:14

    For this episode of Listen to Lillian, Lizzie Mackarel joins me to discuss one of Merchant Ivory's masterpieces - The Remains of the Day, based on the Booker-winning novel by Kazuo Ishiguro.

  • The Long Day Closes (1992) with Katie Duggan

    The Long Day Closes (1992) with Katie Duggan

    T03 E03
    01:18:19

    Film critic Katie Duggan joins me fora deep dive into the nuances of one of the greatest British films, The Long Day Closes (1992) directed by Terence Davies

  • Notes On A Scandal (2006) with Mailí Ní Ghormáin

    Notes On A Scandal (2006) with Mailí Ní Ghormáin

    T03 E02
    59:31

    For the second episode of season three, I talked to Mailí Ní Ghormáin about the 2006 drama Notes On A Scandal directed by Richard Eyre and based on the novel by Zoë Heller.