On this episode of the podcast that wields films like deadly weapons, the guys return from a brief hiatus to tackle one of the strangest high-concept movies of the last decade: The Man Who Killed Hitler and Then the Bigfoot. Starring the eternally weathered and deeply mustachioed Sam Elliott, the film answers its wacky title with meditations on aging, government conspiracies, and wartime trauma. Fun! Can a man with a voice aged in bourbon barrels—and enough quiet manliness to make the Marlboro Man—look like a ballerina hold together a movie this ambitiously bizarre? Jay and Mike offer their thoughts, then count down their Bottom Five Microgenres: those hyper-specific cinematic niches that severely test the patience of the co-hosts. Along the way, a few beloved films catch stray bullets, including Ray, Black  ...