Much of the work of Dublin-born Irish photographer Trish Morrissey is a study of the language of photography through still and moving images, using performance and wit as tools to investigate the boundaries of photographic meaning. Although most of Trish’s work features her as the protagonist, she does not consider the photographs to be self portraits per se, though they can be read that way. She uses humour as a tool to disarm the viewer, hoping it wil then evaporate, leaving a slow burning psychologically tense afterglow. Weaving fact and fiction, Trish plunges into the heart of such issues as family experiences and national identities, feminine and masculine roles, and relationships between strangers.

Her work has been exhibited widely, including in the shows ‘Landscape, Portrait: Now and Then’ at the Hestercombe Galle ...